RECENTLY.   

Manila, Philippines — For nearly two decades, Boys’ Night Out didn’t simply occupy late-night radio—it lived inside it. It filled traffic-clogged drives in EDSA, post-gig silences, barkada hangouts, and the kind of solitude that only happens after midnight. What began as unfiltered conversations among friends slowly became a shared space, one where listeners heard their own stories reflected back to them—raw, funny, sometimes reckless, but always real.

Manila, Philippines — For Kris Cazin, music has always been visual long before it became vertical. Long before short-form clips, algorithms, and attention spans measured in seconds, music arrived to him fully formed—sound and image moving together on a TV screen, late at night, on MTV.

Manila, Philippines — For an artist who rarely speaks but whose music always travels far and stays relevant in our daily mixes, the silence around Al James has never been empty. It’s been a space for building, pausing, recalibrating. Years after reshaping the landscape with his distinct tone and unhurried confidence, he’s finally stepping forward again. Not louder, just truer.